… or in here.
Here’s a short jungle-beat/breakbeat inspired improv. Enjoy!
This one’s got a latin feel.
A while ago I learned to play the cascara pattern with my left hand, so I can play open handed which frees up my right side. I’ve worked on going back and forth between both sides – inspires me to play and try different stuff.
I sometimes write minimal piano music only to contrast it with busy, breakbeaty beckbeat explorations.
One part of me has a very methodical approach when it comes to practicing/playing the drums.
The other part needs to let go and sketch, improvise and flow – without thought.
Ideally, as an artist, I live a little bit in both worlds.
Here’s the last video of my short drum lesson on timing/coordination/subdivisons/rates.
My playing is not as clean as I want it to be, … I’m still working on these drills and ideas, but that’s what practice is all about.
I hope you find the information presented inspiring and useful.
As a drum teacher I’ve noticed that one of the most difficult things for beginner drummers is to switch rates, e.g., to go from triplets to 16th notes, and moving between different 16th note variations.
This short exercise is designed so you can play along with me (or the click only), get comfortable with counting, and develop confidence in switching beats while keeping the tempo.
Try to keep a steady quarter note pulse on the bass drum during the exercise.
If you’re wondering about the sticking of some of the variations, you can find them in my PDF Kick Start.
Ps.: I posted both play-alongs in the educational section on my website.
Here’s a cool exercise one of my teachers shared with me, a long time ago:
- You play 14 different 16th note variations on the hi-hat, one per measure, while keeping a continually repeated pattern (ostinato) on the bass drum and snare.
- The bass drum syncopation includes a note on the “a” and “&” of the beat one and two, which makes it more challenging, coordination wise.
- If you struggle with the independence between bass drum and hi-hat, try to play the variations over a four on the floor beat (quarter notes on the bass drum) first, and work your way up from there.
- Focus on clarity, consistency, and groove. Make sure all the notes land in the right place.
- Practice to an 8th or 16th note metronome, to identify where there’s a tendency to push or drag.
- Practice each measure individually before putting them all together in a loop.
For a lot of people this is a hard exercise — it definitely is for me.
Its benefits are many: improved timing, coordination, and being able to stay in the pocket while transitioning between different variations, are just a few that come to mind spontaneously.
Remember: Slow, steady, and relaxed wins the race!
Been listening to a lot of Hard Bop lately. Here’s a triplet-based lick that’s fun to play and gets you around the kit. Might have heard it from #BillyHiggins or #MaxRoach, not sure.