Here are two simple, yet cool triplet combos: ||:Left Right Kick:|| (Gadd is a master at this!) and then something I’ve heard Bonham do a lot: ||:Left Right Kick | Right Left Kick:||
In this songo improv I play open handed, aka left hand lead (I’m not crossing my sticks), which allows me to get around the kit more easily.
Here’s an Elvin Jones inspired afro-cuban pattern. It has a 6/4 kind of feel, and the hi-hat splashes and tom accents make it challenging to keep balance. I’ll try to follow up with a transcription, soon.
I recently came up with this cool beat:
8th note heel/toe hi-hat splashes over a polyrhythmic double stroke bass drum pattern. 1&A cymbal pattern + snare drum on 2&4.
I’m improvising grooves while working my way through different 16th note variations on the hi-hat. I’ve found this to be a great way to come up with new ideas, strengthen my coordination, and improve my timing on the drums. Too often we drummers forget about the endless possibilities seemingly simple rhythms can offer, especially when applied in a creative, groove oriented way. Have fun! – bex out!
This is great exercise to deepen your pulse and improve timing on the drums. I start playing a beat at the downbeat, then move it to the “e” of the beat, then the “+” and the “a.” I’m basically moving through the 16th note grid, using each 16th note as a new starting point.
Depending on your level and interest, topics include hand and foot technique, grooves, timekeeping, phrasing ideas, sight reading, odd time signatures, fills, soloing and studio techniques, etc. Lessons are conducted in English or German.