Rates & 16th Note Variations

As a drum teacher I’ve noticed that one of the most difficult things for beginner drummers is to switch rates, e.g., to go from triplets to 16th notes, and moving between different 16th note variations.

This short exercise is designed so you can play along with me (or the click only), get comfortable with counting, and develop confidence in switching beats while keeping the tempo.

Try to keep a steady quarter note pulse on the bass drum during the exercise.

If you’re wondering about the sticking of some of the variations, you can find them in my PDF Kick Start.

– Beck

Ps.: I posted both play-alongs in the educational section on my website.

 

Get a Grip

Other drummers have asked me about my (default) grip. Just flip a stick and catch it. That’s it: The brilliance of simplicity.

Note: I use a middle finger fulcrum as my “home position,” the index finger comes in to close the hand, add control and pressure, only when necessary (fast doubles, press rolls, etc.).

This allows me to utilize the rebound I get from the drums and cymbals, and to play with the least amount of effort.

#KeepItSimpleStupid

 

Drumming Videos

 

Here are two simple, yet cool triplet combos: ||:Left Right Kick:|| (Gadd is a master at this!) and then something I’ve heard Bonham do a lot: ||:Left Right Kick | Right Left Kick:||


In this songo improv I play open handed, aka left hand lead (I’m not crossing my sticks), which allows me to get around the kit more easily.


Here’s an Elvin Jones inspired afro-cuban pattern. It has a 6/4 kind of feel, and the hi-hat splashes and tom accents make it challenging to keep balance. I’ll try to follow up with a transcription, soon.


I recently came up with this cool beat:

8th note heel/toe hi-hat splashes over a polyrhythmic double stroke bass drum pattern. 1&A cymbal pattern + snare drum on 2&4.